Sunday, June 21, 2009

Thursday, June 18, 2009

The Bridge

This is the bridge, the centre of it being the meeting place. The dining table is located in the centre of this platform. There is a circular piece surrounding it representing the world, the cosmos. The dining table islocated in the centre thus meaning that our cosmos lies in peolpe such as the ones that are seated upon the table.


Madonna Louise Ciccone Office Inspirations

I have chosen to relate Madonna to a form of artwork. The name given to this type of artwork is Pop Art. It consists of mono tone bright colors, depicting the image in an abstract form. To me Madonna represents entertainment, bright colors, bright colors represent happyness, and the bright mono tones represents no im perfection, a bold eye catching pure happy color, which all these descriptive words related to pop art relate to Madonna, therefore i have chosen pop art as my inspiration.

Barrack Obama Office Inspirations

My main inspiration for the office space that of barrack Obama was, his presidential victory speech. The speech's content is so powerful, emotional, moving yet humble and victorious, that similar to a war cry. This is what i am aiiming at incorparating in my work. (to view and read speech please click above image)

http://neoformix.com/2008/wm_ObamaVictorySpeech.png

Peer Marking Assessment

Great work work both Phil Nguyen, and Max Hu, im very keen to see your final submissions.

Model Development ( Madonna Louise Ciccone)

A flower has the ability to symbolis the femle power, sencitivity. The office space upon being viewed upside down can replicate a jewel, another great item which symbolises beauty, women, and its great value, as ones powers are counted in there material items and gross value of their posessions.















Model Development ( Barrack Obama )

Symbol of power can be represented in height and overal size therefore i have designed a towering office building which upon viewing from ground level is a daunting site which represents his power, his power being the most powerful man to date in the world. I incorparated fog as it depicts the height and massing of the office building at a greater understandable level.














Wednesday, June 17, 2009

Clients Dining Table

The design of my dining table has been influenced by my two chosen clients, Barrack Obama and Madonna. I have chosen a genre for my dining table, that it consists and relates to the single word "Symbolism". As u can see one side is far wider that the other this therefore represents one person is far superior, which in my personal belief is Barrack Obama, the most powerful man to date, rather than Madonna who is simply one amongst great entertainers. Other symbolism featured is that the table is in a seriers of level, again Barrack Obama has the higher ground representing his higher authority and importance to this world, and due to this one who sits at the lowest point has to slightly tilt there head so as to view and gaze as though they are in the presents of a mighty authority, a great power. The leg of the table is an arrow, which Barrack Obama, sits on the tip of the Arrow, representing he is the for front runner, whilst Madonna at the tail. Material that it is designed is a Honey comb wood, with copper centre plate and green tilted glass feature, and the direct seat placement on the table is Gold plated, and the legs a tarnished metal. Dining table proves to indicate who of my clients is greater than the other. My design is centred and focused on "Symbolism" and i believe i have captured and incorparated it into my diinig table design.




Madonna Louise Ciccone Elevator

I have chosen to design a delicate feminine elevator for Madonna. I want it to portray the feminine power found within herself.


Obamas Elevator

This is my design for Barrack Obamas elevator. I have gone for a classical grand design which i personally portrays his role in the world as a great power. I have chosen to design it in a large scale so as to indimidate persons whom can not be compared to his authority.







Draft UT F- Walk Paths
















36 Movement Textures

Evolution
Linear
Fracture
Liquid
Rotational
Shifting